الجمعة، 18 أبريل 2014

Cartoon

Example of a modern cartoon. The text was excerpted by cartoonist Greg Williams from the Wikipedia article Dr. Seuss.
A cartoon is a form of two-dimensional illustrated visual art. While the specific definition has changed over time, modern usage refers to a typically non-realistic or semi-realistic drawing or painting intended for satire, caricature, or humor, or to the artistic style of such works. An artist who creates cartoons is called a cartoonist.[1]
The term originated in the Middle Ages and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, it came to refer to humorous illustrations in magazines and newspapers, and in the early 20th century and onward it referred to comic strips and animated films.[2]

Fine art

A cartoon (from the Italian "cartone" and Dutch word "karton", meaning strong, heavy paper or pasteboard) is a full-size drawing made on sturdy paper as a study or modello for a painting, stained glass or tapestry. Cartoons were typically used in the production of frescoes, to accurately link the component parts of the composition when painted on damp plaster over a series of days (giornate).[3]
Such cartoons often have pinpricks along the outlines of the design; a bag of soot was then patted or "pounced" over the cartoon, held against the wall to leave black dots on the plaster ("pouncing"). Cartoons by painters, such as the Raphael Cartoons in London and examples by Leonardo da Vinci, are highly prized in their own right. Tapestry cartoons, usually coloured, were followed by eye by the weavers on the loom.[2][4]

Print media

John Leech's "Cartoon no.1: Substance and Shadow" (1843) satirized preparatory cartoons for frescoes in the Palace of Westminster, creating the modern meaning of "cartoon".
In modern print media, a cartoon is a piece of art, usually humorous in intent. This usage dates from 1843 when Punch magazine applied the term to satirical drawings in its pages,[5] particularly sketches by John Leech. The first of these parodied the preparatory cartoons for grand historical frescoes in the then-new Palace of Westminster. The original title for these drawings was Mr Punch's face is the letter Q and the new title "cartoon" was intended to be ironic, a reference to the self-aggrandizing posturing of Westminster politicians.
Modern single-panel gag cartoons, found in magazines, generally consist of a single drawing with a typeset caption positioned beneath or (much less often) a speech balloon. Newspaper syndicates have also distributed single-panel gag cartoons by Mel Calman, Bill Holman, Gary Larson, George Lichty, Fred Neher and others. Many consider New Yorker cartoonist Peter Arno the father of the modern gag cartoon (as did Arno himself). The roster of magazine gag cartoonists includes Charles Addams, Charles Barsotti and Chon Day.
Bill Hoest, Jerry Marcus and Virgil Partch began as a magazine gag cartoonists and moved on to do syndicated comic strips. Noteworthy in the area of newspaper cartoon illustration is Richard Thompson, who illustrated numerous feature articles in The Washington Post before creating his Cul de Sac comic strip. Sports sections of newspapers usually featured cartoons, sometimes including syndicated features such as Chester "Chet" Brown's All in Sport.
Editorial cartoons are found almost exclusively in news publications and news websites. Although they also employ humor, they are more serious in tone, commonly using irony or satire. The art usually acts as a visual metaphor to illustrate a point of view on current social and/or political topics. Editorial cartoons often include speech balloons and, sometimes, multiple panels. Editorial cartoonists of note include Herblock, David Low, Jeff MacNelly, Mike Peters and Gerald Scarfe.[2]
Comic strips, also known as "cartoon strips" in the United Kingdom, are found daily in newspapers worldwide, and are usually a short series of cartoon illustrations in sequence. In the United States they are not as commonly called "cartoons" themselves, but rather "comics" or "funnies". Nonetheless, the creators of comic strips—as well as comic books and graphic novels—are usually referred to as "cartoonists". Although humor is the most prevalent subject matter, adventure and drama are also represented in this medium. Noteworthy cartoonists of humor strips include Scott Adams, Steve Bell, Charles Schulz, E. C. Segar, Mort Walker and Bill Watterson.[2]

Political cartoons

Nast depicts the Tweed Ring: "Who stole the people's money?" / "'Twas him."
By the mid 19th century, major political newspapers in many countries featured cartoons commenting on the politics of the day. Thomas Nast in New York City brought realistic German drawing techniques to enliven American cartooning. his 160 cartoons relentlessly pursued the criminal characteristic of the Tweed machine in New York City, and help bring it down. Indeed, Tweed was arrested in Spain, when police identified him from Nast's cartoons.[6] Sir John Tenniel was the toast of London.[7]
Political cartoons can be humorous or satirical, sometimes with piercing effect. The target may complain, but he can seldom fight back. Lawsuits have been very rare. the first successful lawsuit against the cartoonist in over a century in Britain came in 1921 when J.H. Thomas, the leader of the National Union of Railwaymen (NUR), initiated libel proceedings against the magazine of the British Communist Party. Thomas claimed defamation in the form of cartoons and words depicting the events of "Black Friday"—when he allegedly betrayed the locked-out Miners' Federation. To Thomas, the framing of his image by the far left threatened to grievously degrade his character In the popular imagination. Soviet inspired Communism was a new element in European politics, and cartoonists unrestrained by tradition tested the boundaries of libel law. Thomas won his lawsuit, and restore his reputation.[8]

Scientific cartoons

Also in the world of science, mathematics and technology cartoons have found their place. One well-known cartoonist in the USA is Sidney Harris[9]. Many of Gary Larson's cartoons had a scientific flavor.

Books

Books with cartoons are usually reprints of newspaper cartoons. On some occasions, new gag cartoons have been created for book publication, as was the case with Think Small, a 1967 promotional book distributed as a giveaway by Volkswagen dealers. Bill Hoest and other cartoonists of that decade drew cartoons showing Volkswagens, and these were published along with humorous automotive essays by such humorists as H. Allen Smith, Roger Price and Jean Shepherd. The book's design juxtaposed each cartoon alongside a photograph of the cartoon's creator.

Animation

An animated cartoon horse, drawn by rotoscoping from Eadweard Muybridge's 19th-century photos.
Because of the stylistic similarities between comic strips and early animated movies, "cartoon" came to refer to animation, and the word "cartoon" is currently used to refer to both animated cartoons and gag cartoons. While "animation" designates any style of illustrated images seen in rapid succession to give the impression of movement, the word "cartoon" is most often used in reference to TV programs and short films for children featuring anthropomorphized animals, superheroes, the adventures of child protagonists and related genres.
At the end of the 1980s, the word "cartoon" was shortened, and the word "toon" came into usage with the live action/animated feature Who Framed Roger Rabbit (1988), followed two years later by the TV series Tiny Toon Adventures (1990).

See also

References

  1. Merriam-Webster's Dictionary
  2. Becker, Stephen. Comic Art in America. Simon & Schuster, 1959.
  3. William George Constable (1954). The Painter's Workshop. Courier Dover Publications. p. 115. Retrieved 20 January 2013.
  4. Minneapolis Institute of Arts; Candace Adelson (1994). European tapestry in the Minneapolis Institute of Arts. The Institute. p. 330.
  5. Punch.co.uk. "History of the Cartoon".
  6. John Adler; Draper Hill (2008). Doomed by Cartoon: How Cartoonist Thomas Nast and the New York Times Brought Down Boss Tweed and His Ring of Thieves. Morgan James Publishing.
  7. Frankie Morris; Sir John Tenniel (2005). Artist Of Wonderland: The Life, Political Cartoons, And Illustrations Of Tenniel. University of Virginia Press.
  8. Samuel S. Hyde, "'Please, Sir, he called me “Jimmy!' Political Cartooning before the Law: 'Black Friday,' J.H. Thomas, and the Communist Libel Trial of 1921," Contemporary British History (2011) 25#4 pp 521-550
  9. Science Cartoons Plus Sidney Harris Science Cartoons Plus

Further reading

  • Becker, Stephen D. and Rube Goldberg. Comic Art in America: A Social History of the Funnies, the Political Cartoons, Magazine Humor, Sporting Cartoons, and Animated Cartoons (1959)
  • Blackbeard, Bill, ed. The Smithsonian Collection of Newspaper Comics (1977, Smithsonian Inst. Press)
  • Robinson, Jerry, The Comics: An Illustrated History of Comic Strip Art (1974) G.P. Putnam's Sons
  • Horn, Maurice, The World Encyclopedia of Comics (1976) Chelsea House, (1982)
  • Walasek, Helen. The Best of Punch Cartoons: 2,000 Humor Classics (2009)

bat man vg

Batman (1986 video game)

From Wikipedia, the free encyclopedia
  (Redirected from Bat Man (video game))
Batman
Batman (Amstrad CPC game).jpg
Developer(s) Bernie Drummond, Jon Ritman[1]
Publisher(s) Ocean Software
Platform(s) ZX Spectrum, Amstrad CPC, MSX, Amstrad PCW
Release date(s) 1986
Genre(s) Action, Adventure
Mode(s) Single-player
Batman is a 1986 3D isometric action-adventure game by Ocean Software for the Amstrad PCW,[2] Amstrad CPC, ZX Spectrum and MSX microcomputers,[3] and the first Batman game ever developed.

Gameplay

The object of the game is to rescue Robin by collecting the seven parts of the Batcraft hovercraft that are scattered around the Batcave. The gameplay takes place in a 3D isometric universe, which programmers John Ritman and Bernie Drummond would further develop for 1987's Head over Heels, and is notable for implementing an early example of a system that allows players to restart from an intermediate point in the game on the loss of a life rather than returning all the way to the start (in this case the point at which Batman collects a "Batstone").[4]

Reception

[hide]Reception
Review scores
Publication Score
Computer and Video Games 37/40[8]
Crash 93%[6]
Sinclair User 5/5 stars[7]
Your Sinclair 9/10[5]
Your Computer 4/5 stars[9]
Awards
Publication Award
Crash Crash Smash
Sinclair User SU Classic
Your Sinclair MegaGame
ZX Computing Monster Hit[10]
Batman was received well by the computer game press at the time. Crash gave it a rating of 93%,[1] Your Sinclair scored it 9/10[11] and Sinclair User gave it five stars and rated it as a "classic".[4]

Remakes

A freeware remake, called Watman, was produced for PC in 2000 as a DOS game. A remake called GWatman has also been written for the Game Boy Advance.
A remake for PC was produced by Retrospec.[12]

References

  1. "Batman". Crash (Newsfield Publications Ltd). May 1986. Retrieved 2009-02-11.
  2. Ainsley, Rob (1989). "Batman hints". The 8000 Plus Collection: The Ultimate Tips Book for the Amstrad PCW. Bath: Future Publishing. p. 105.
  3. Smith, Martin; Игги Друге. "Batman". MobyGames. MobyGames. Archived from the original on 28 February 2008. Retrieved 2009-02-11.
  4. Muir, Jerry (May 1986). "Batman". Sinclair User (EMAP). Retrieved 2009-02-11.
  5. "Archive - Magazine viewer". World of Spectrum. Retrieved 2012-11-17.
  6. "Archive - Magazine viewer". World of Spectrum. Retrieved 2012-11-17.
  7. "Archive - Magazine viewer". World of Spectrum. Retrieved 2012-11-17.
  8. "Archive - Magazine viewer". World of Spectrum. Retrieved 2012-11-17.
  9. "Archive - Magazine viewer". World of Spectrum. Retrieved 2012-11-17.
  10. "Archive - Magazine viewer". World of Spectrum. Retrieved 2012-11-17.
  11. Nash, Tommy (May 1986). "Batman". Your Sinclair (Dennis Publishing). Archived from the original on 12 January 2009. Retrieved 2009-02-11.
  12. "Retrospec". Retrospec.sgn.net. Retrieved 2012-11-17.

spider man

From Wikipedia, the free encyclopedia
  (Redirected from Spider-Man Cartoon Maker)
Spider-Man
Spider-Man (1994 TV series) title screen.png
Genre Superhero
Action/Adventure
Science fiction
Format Animated series
Created by Stan Lee
Steve Ditko
(characters)
Developed by Marvel Films Animation
Theme music composer Joe Perry of Aerosmith
Country of origin United States
No. of seasons 5
No. of episodes 65[1] (List of episodes)
Production
Executive producer(s) Kerrie Hardie
Alisha Jamieson
Supervising Producer Bob Richardson
Supervising Director Bob Richardson
Running time 21 minutes
Production company(s) Marvel Entertainment Group
Marvel Films Animation
Distributor New World Communications (1994-1997)
Saban Entertainment (1997-2001)
BVS Entertainment (2001-present)
Broadcast
Original channel FOX
Original run November 19, 1994 – January 31, 1998
Chronology
Preceded by Spider-Man and His Amazing Friends
Followed by Spider-Man Unlimited
Spider-Man, also known as Spider-Man: The Animated Series, is an American animated television series based on the Marvel Comics superhero, Spider-Man.[2] The show ran on Fox Kids from November 19, 1994, to January 31, 1998. The producer/story editor was John Semper, Jr. and the production company was Marvel Films Animation.[3] The instrumental theme song for the series (including the lyrics) was performed by Joe Perry of Aerosmith. Starting May 6, 2014, reruns will air on Disney XD to promote The Amazing Spider-Man 2.[citation needed]

Synopsis

The series focuses on Spider-Man and his alter ego Peter Parker during his college years at Empire State University. As the story begins, Peter has already gained his superpowers and is a part-time freelance photographer for the Daily Bugle. The show features most of Spider-Man's classic villains, including the Kingpin, the Green Goblin, the Lizard, the Scorpion, Doctor Octopus, Mysterio, Shocker, the Rhino, the Vulture, the Chameleon, and Venom. Over the course of the series the single Peter contends with the romantic love interests of Mary Jane Watson, Felicia Hardy and her alter ego, the Black Cat. The show also features appearances from various other Marvel superheroes including the X-Men, the Fantastic Four, Iron Man, Daredevil, Blade, Doctor Strange, the Punisher, and Captain America.

Production overview

While Marvel's X-Men animated series was being produced by Saban, Spider-Man was produced by the newly formed Marvel Films Animation; it was the only series that in-house studio produced, but was animated by Tokyo Movie Shinsha with Korean studios.[4] The series is the second longest-running Marvel show created, after X-Men, as well as the longest-running series based on Spider-Man. The series was also known for its high level of censorship, with Spider-Man almost never throwing a punch and laser guns instead of real ones. It is currently owned and distributed by The Walt Disney Company, which acquired all Fox Kids-related properties from News Corporation and Saban International in 2001.

Animation

Concept art for Spider-Man in the series.
To reproduce New York City's style, background illustrators undertook a large amount of visual research by using photo archives from above New York, particularly rooftops. Maps were consulted for references and buildings were faithfully reproduced.
It has been reported that the animation cels depicting Manhattan's Pan Am Building were scrapped after being complete because the California-based art staff learned the Midtown landmark had been given a new sign more than a year earlier.
The animation staff were directed to populate the city with cars and crowds on the street level. Semper believed that was one of the limitations of earlier Spider-Man animated projects.
Originally, Marvel Films planned to make the backgrounds completely CGI while Spider-Man 'webslinged' around New York, yet due to budget constraints were forced to use traditional cel based animation while occasionally using CGI backgrounds. As well, reuse of animation became more common as the series progressed, which also included reuse of animation involving a character speaking (these scenes were sometimes slowed down in order to better match the actor's voice to the animation).

Characters

Recurring Voice Cast

Venom as seen in the series.

Guest Voice Cast

Reception

Spider-Man was one of the most popular TV series on Fox Kids, ranking with the programming block's other hit shows such as X-Men, Power Rangers and Batman: The Animated Series. Its ultimate cancellation after 65 episodes was not due to ratings trouble, but due to disagreements between executive producer Avi Arad and network head Margaret Loesch.
Even after the series ended, it still had an impact on the entertainment industry, boosting sales of myriad Spider-Man merchandise and popularity. The show was named the 84th best animated series by IGN.[5]

Merchandising

First series of the show's toy line.
Three comics based on the series were produced:
  • Spider-Man Adventures (December 1994 to February 1996)[6] Spider-Man Adventures #1-4 was later reprinted in Kellogg's Froot Loops Mini-Comics #1-4.[7]
  • Adventures of Spider-Man: (April 1996 to March 1997) This featured new stories based on the series.[8] Adventures of Spider-Man was later reprinted in Spectacular Spider-Man (UK Magazine) #11-21 from August 1996 to May 1997.[9]
  • Marvel Adventures[10]
A number of video games based on the series were also produced:
Electronic versions of classic Spider-Man comics were released by Marvel that included narration by Christopher Daniel Barnes and featured animation and theme music from this series. Spider-Man novels inspired by selected episodes were also released. A wide variety of themed merchandise (lunch boxes, cereals, clothing, etc.) was produced. McDonald's produced a themed line of Happy Meal toys for the show. However, this paled in comparison to the extensive official toy line that ran over eight series, and included a staggering amount of play sets and vehicles and actually lasted longer than the television series itself.

Release availability

Despite the fact that the show ended in 1998, the success of the live-action Spider-Man films have sparked more interest in new fans, allowing the series to air in reruns due to its new owners: The Walt Disney Company.
As of February 2012, Marvel.com has uploaded every episode for streaming purposes, and they have been up since 2009.[11]
The entire series is available for instant streaming on Canadian Netflix. It is also available as part of Amazon Prime Instant Video.

VHS and DVD releases

Region 1
During the series' run, some episodes were released on VHS. These were from Fox Home Entertainment.
In the late 1990s, another selection of VHS compilations were released by Marvel Films/New World Entertainment (these tapes were distributed in Canada by Telegenic Entertainment). These releases featured episodes edited into 70-80 minute movies based on the particular story arc.
To date, the only DVD releases of the series in the U.S. have been several volume sets from Walt Disney Studios Home Entertainment that feature 4-5 episodes each.